Sound Design
Synthesis and texture building
Covers subtractive, FM, and wavetable synthesis with a focus on creating original sounds rather than loading presets.
Music Production
From sound
to craft.
Tiln Dovrus offers structured masterclasses where working producers share exactly how they approach the studio — from initial idea to final mix.
Real technique,
structured learning.
There is a difference between watching someone make music and understanding why every choice was made. Our masterclasses are built around the second approach.
Each session focuses on a specific area — arrangement logic, synthesis fundamentals, mixing decisions, or workflow habits. Instructors work through real projects, not simplified demos. You see the DAW, you hear the reasoning, and you can revisit any section at your own pace.
The platform has been running since 2014 and has grown from a small Ukrainian studio project into a resource used by students across dozens of countries.
What you can study here
Three areas of focus — each with its own instructors and course structure.
Mixing
Decisions that shape a finished track
Instructors walk through actual mix sessions — gain staging, bus processing, parallel compression, and spatial balance.
Arrangement
Structure and movement in a track
How to build tension, create contrast between sections, and avoid the structural problems that make tracks feel flat.
How a masterclass works
Four steps from first access to applied knowledge.
01
Choose your focus area
Pick a topic that matches where you are in your production work right now.
02
Watch the session
Each class is recorded in full — no cuts, no simplified versions of the actual workflow.
03
Work with the materials
Project files, samples, and reference tracks are available for download so you can work alongside the instructor.
04
Apply and revisit
Access is permanent — come back to specific segments when a technique becomes relevant to your current project.
People who teach here
Instructors on this platform are working producers and sound engineers, not educators hired to explain someone else's process.
Kira Valentyn focuses on synthesis and electronic sound design, drawing from years of work in club and film audio. Olesya Marchuk teaches mixing — specifically the decisions that separate a rough mix from something broadcast-ready.
Both approach teaching the same way they approach their own sessions: with attention to specifics and no patience for vague advice.
More about the team
What students say
"I had been producing for three years and felt stuck in the same patterns. The arrangement masterclass changed how I think about track structure — specifically the section on tension and release. It is not a dramatic transformation, but my last four tracks feel more intentional than anything I made before."
"The mixing session on bus compression alone was worth it. I finally understood why my low end sounded muddy — it was a routing problem, not an EQ problem."
"Kira explains synthesis in a way that actually connects to musical outcomes. Not just 'this knob does this' but 'here is why you would want to do that'."
Questions before starting?
If you are unsure which course fits where you are right now, write to us. We will point you in the right direction without any sales pressure.
